Rider Haggard  are writers who have influenced her work. Interview with the Vampire[ edit ] Inwhile still grieving the loss of her daughter, Rice took a previously written short story and turned it into her first novel, the bestselling Interview with the Vampire. She based her vampires on Gloria Holden 's character in Dracula's Daughter:
Get Full Essay Get access to this section to get all help you need with your essay and educational issues. Get Access Vampires in Nineteenth Century Literature Essay Sample The origin of the vampire motif in literature can be traced back, historically, to unwritten folklore and myth which permeates all known cultures, including the European countries where the later development of Gothic literature, and more specifically, vampire literature would evolve.
Although scholars trace the origin of the vampire motif to folklore and superstition, the origins of he vampire archetype may, in fact, lie much deeper in prehistory, perhaps beyond recorded time. While verifiable details are, of course, lacking in regard to the folk motifs and prehistorical myths associated with vampires, many modern critics postulate that the deepest historical articulations of the vampire archetype represented a far different conception of the vampire than what evolved much later in Nineteenth Century Gothic literature.
Frost 1 and the same can and should be recognized in regards to sexual power and sexual liberation.
In regard to the Victorian conception of the vampire in literature, sexuality forms the cornerstone of both the motive for so many writers taking up the vampire motif and also for the visceral impact which vampire literature exerted then and continues to exert now.
The suggestion of these changes is brought about within the context of Victorian vampire literature as an explosive, preternatural shock which threatens the very fabric of society. By doing so, the vampire myth took on a radical transformation: In Dracula, individualism threatens conventional perspectives about sexuality and gender roles and the distribution of power between the genders is portrayed as a threat to established order.
To part from accepted ways may bring the momentary illusion of freedom and strength; however, in the long run, deviation from the prescribed order leads to chaos and ruin.
The vampire in nineteenth century literature represented a symbol for those who opted to stand outside of society, but it also represented the reason why society had been erected in the first place: In Dracula, when values of faith and chastity are abandoned, the searing social critique of the relaxation of sexual mores shows us a clear picture of punishment.
Stoker portrayed sexual wantonness as a form of self-destruction: The emergence of the sexual themes of the novel is tied to the animal symbolism of the novel which begins gradually. A desire to see the destruction of Lucy is obviously seen as Dracula in a beastly form attacks Lucy. Plainly he intends to reduce Lucy to an animalistic level.
If liberated, women become sexually aggressive, and take on masculine roles.
The connection between the destructive force and the primitive, animal force is explicit throughout the novel. Nature and animals are emblems of a destructive and furious power which intends to devastate human social order.
Again the association with sexuality is made directly with primitive nature and each is viewed as a threat to social order and human safety.
Individualism and specifically individualism which threatens conventional perspectives about sexuality and gender roles and the distribution of power between the genders is portrayed in Dracula as the most ominous threat to established order; to depart from the accepted ways may bring the momentary illusion of freedom and strength; however, in the long run, deviation from the prescribed order leads primitivism, animalism, and eventually to chaos and ruin.
Following through on the integrated themes of patriarchal power and order, Stoker concludes his novel by returning to the conventional disposition of society: The animal symbolism associated with vampire literature of the nineteenth century is used to indicate the latent sexual repression of Victorian society and to indicate the disruptive influence of primitive nature and unfettered sexuality.
It is also meant to show that this disruptive influence lies just under the surface of an otherwise civilized world. The vampire in nineteenth century literature can take on animal forms, but he or she is also an aristocrat: The main theme of combining the aristocrat with the primitive animal is to indicate that society merely layers over primitive impulse but does not adequately seal it from potential influence to threaten the social order itself.Count Dracula (/ ˈ d r æ k j ʊ l ə, -j ə l ə /) is the title character of Bram Stoker's gothic horror novel regardbouddhiste.com is considered to be both the prototypical and the archetypal vampire in subsequent works of fiction.
He is also depicted in the novel to be the origin of werewolf legends. Some aspects of the character are believed to have been inspired by the 15th-century.
The Vampire in Literature: Selected full-text books and articles. The Vampire in Nineteenth-Century English Literature By Carole A.
Senf Bowling Green State University Popular Press, Read preview Includes multiple essays that discuss vampires in literature, including in the works of Bram Stoker. come to be in nineteenth-century western European literature” for the vampire’s role “was to explain various forms of unpredicted and undeserved evil that befell people” (Melton ).
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Would you ever use these adjectives to describe a vampire? The common theme in portraying vampires in literature has always involved depictions of great violence, ugliness, and fear. One of the most notable nineteenth century literary vampires is .
Anthologies of Shorter Vampire Fiction, 19th Century to Present; Anthologies of Vampire Erotica; Data Sources; Essay-Length Overviews; Anthologies of Shorter Vampire Fiction, 19th Century to Present Much of the early academic critical attention that the literary vampire would receive made much of the anthropological, mythological, and.
AFAM Intro to African American Studies This course provides an overview of African American history and culture. Topics include major events, persons, and issues spanning the period from the African heritage to contemporary times.